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Please discuss this issue on the article's. (August 2010) Timo Maas Born ( 1969-07-27) July 27, 1969 (age 48), Genres,,,,, Occupation(s),, Years active 1992–present Labels Rockets & Ponies My Favorite Robot Associated acts Martin Buttrich, James Teej,, Timo Maas (born July 27, 1969,, ) is a / and whose career in electronic music spans well over 30 years. His remix of 's single, 'Doom's Night' helped launch his career in 2000.

In its wake, he also released Music for the Maases Volume 1, a mix album consisting of many of his previous tracks and remixes. After another mix album called Connected for 's imprint, Maas released his own debut studio album Loud in 2002. The album was produced by German dance music producer Martin Buttrich (also known for his work with ), and featured guest appearances from, and 's. In a career spanning over 30 years, Timo has been collaborated with and remixed many artists such as,,,,,,,,, and.

Timo Maas - To Get Down, (108.24MB ), 5035, 3013, U. Timo Maas - Technovocalism, (98.22MB ), 4634, 2627, U. Timo Maas [Connected], (982.31MB ), 5020, 978, U. Timo Gross - Discography, (793.98MB ), 6406, 4910, U. Timo - My 30th spring, (159.04MB ), 5975, 4005, U. [KeumGay.com] timo Hardy, (1.36GB ), 7495, 3883. Audio lover from Holland with releases on Solselected, Kindisch, UnderYourSkin, Sincopat, Einmusika, Katermukke, & more. Music, info, dates, it's all here.

In 2016, Timo and his producing partner James Teej, received a nomination (the second in Maas's career) for their work on & Wings' track '. In 2008, Timo launched his own record label called Rockets & Ponies releasing productions from artists such as,, Maetrik, and Addison Groove. In addition to his productions, Maas has been a longtime DJ, having been a resident at the legendary nightclub for over 15 years and having also played in clubs such as Ushuaia, The End,,, Tunnel and many more. Contents • • • • • • • • • • • • • • Career [ ] Early years (1982–1998) [ ] Maas bought his first set of turntables at the age of 17, and played his very first DJ set in 1982 at a party in his friend's home. The beginning of his career consisted mostly of gigs around playing 'Top 40' records with the occasional record sneaked in, but it was to be another 6 years from his debut DJ performance before he would perform his first official all-techno set. In 1992, Maas was introduced to the early German scene, and he went on to DJ at many different rave events both in Germany and elsewhere, earning a name in the scene.

Maas' first record, 'The Final XS', was released in 1995. His second record release was a collaboration with another producer,, 'Die Herdplatte', which was a bigger success than his first.

Gary D also gained Maas a residency at Hamburg's famous, The Tunnel, between 1994 and 1996. Through his British contact Leon Alexander, Maas played at the club Lakota and held a residency there for three years.

Maas also began to release records through record labels such as, both under his own name and the alias, Orinoko, arguably the biggest record of which was titled 'Mama Konda'. The track received wide support from DJs like, and Morales and reached top 20 in both UK and US charts. Maas has also recorded under many aliases such as Mad Dogs among others together with his manager and friend Leon Alexander. In 2000, Timo Maas began a residency alongside at the club,. 'Doom's Night', Loud and Pictures (1999–2005) [ ] A turning point in Timo's career was remixing ' 1999 single '. Co-remixed with Martin Buttrich in a 3-hour session after rejected their first attempt, it reached #8 on the UK Singles Chart and sold over half a million copies worldwide.

Following that, Maas decided to release a compilation CD containing only tracks produced or remixed by him, titled Music for the Maases and having the remix of 'Doom's Night' as its opening track. The compilation also features a remix for 's 'Sunburn' and has said to have been put together with the American audiences in mind. In 2001, Maas and Buttrich started working on Maas' debut album, which saw its release in 2002 on 's label and was titled Loud. Free Download Program Madeline Classroom Companion 1St & 2Nd Grade CD. It was generally well-received, averaging at 71 (out of 100) on Metacritic. The first track, 'Help Me', features vocals by and also contains a sample of the title music from, composed. The album features other guest performers such as, Martin Bettinghaus, and.

The 10th track on the album, 'To Get Down', has been used it several film soundtracks and other mediums such as the 2003 remake of, in 2002, a beer commercial and the 2003 video game. Maas has described his debut album as forward-thinking, bridging the gap between electronic and mainstream music: 'It's not just about bringing dance music to a wider audience. I see the whole thing as something very open-minded. You hope alternative rock and dance can come together, and I think it's going to be really good' Maas and Buttrich continued to do remix work, most notably remixing ' track 'Don't Make Me Come to Vegas', off her 2003 album Scarlet's Walk. The track was nominated for the 2004 in the non-classical remixed recording category. The same year, Maas also remixed the track 'Enjoy the Silence'. In 2005, Maas released his second studio album, titled Pictures on 's sub-label,.

It was co-produced with Martin Buttrich over a two-year period in their studio in. The album featured many artist collaborations, such as, and the lead singer. Balance compilation, residency at DC10 and Lifer (2005–2013) [ ] Over the coming years after their 2005 LP Pictures, Timo Maas and Martin Buttrich continued to work together on various projects, but ultimately the pair's musical direction went amicably in different directions. Maas met his next production partner Santos in 2007 at a gig in Rome. Together they formed a new alias called Mutant Clan, under which they proceeded to release several releases, as well as put together a double CD compilation for the acclaimed Balance Mix Series in 2010.

The pair worked on sourcing the tracks, recording special edits and track-listing for four months. The same year, Maas also started his label, originally in partnership with Santos, called 'Rockets & Ponies', which received support from the likes of, and. 2013 saw the release of Timo's third artist album, titled Lifer, on his Rockets & Ponies imprint. True to Maas' manner, it featured cameos from different artists such as, of and a return by Maas' longtime friend, For Lavelle, this was the only vocal outside of that he had ever done. On working with, Maas claimed to have been touched by the soul and emotion of her voice.

Of the album and working Santos, Maas has said: 'I really like working with Santos, as we both inspire each other a lot and we are trying to push boundaries on a constant basis. The album 'Lifer' is one of the results of this vibe.' Over the next few years, Timo proceeded to release more singles. Following the release of his track 'Dancing for My Pleasure' on the Canadian electronic music label My Favorite Robot, Timo proceeded to do a mix for their compilation series titled ‘Crossing Wires 002’ containing mostly unreleased material from other producers., The release was followed by a North-American tour by the same name in 2014. The same year, Timo was commissioned to do a remix for ’s 'Make Believer' followed by a collaborative remix work on ’s 'Jealousy' with one-third of My Favorite Robot, James Teej, in 2015.

Maas and Teej continued their collaborative partnership with a release on Crosstown Rebels' sub-label Rebellion called ‘Thingzz’. Aside from his release-work, Timo has also been a resident at the legendary nightclub, having played his first show there in 2001. Maas has said that it is the only club in the world where he can be himself and express his vision and he has called it the most original and unique experience one can have when going to the island.

'Nineteen Hundred and Eighty-Five' (2016–present) [ ] In 2009 Timo Maas and his agent, David Levy, had a listening session in playing each other different tracks that they liked. Timo heard the original & Wings track played to him by Levy and expressed his wish to get the stems for the track. David Levy, through his connections to McCartney's management, delivered the studio session, complete with all the stems, to Maas.

Over the proceeding few months, Maas tried working on the stems with different people after a while the project went back on the shelf. It was only a few years later when Maas played the unfinished work to his good friend and My Favorite Robot label head James Teej, that the pair felt they could do something with it. The duo spent a week listening to different parts and working intensely on the track until it was finished. The track was sent to McCartney's team from whom it got the approval for release.

What followed was a marketing strategy generated by Maas' management that saw the vinyl being released as an unknown white label with only 's face stamped on it on the Phonica Records website. The vinyl-run was limited and sold out in a few hours, having its prices soar to upwards $400 on and other websites and going #1 on Phonica Records’ website. There was some speculation whether the vinyl was officially sanctioned by McCartney himself, but eventually got conclusive proof on its origins. The story of its overnight success got quickly picked up by major publications such as,, NME, Germany, Clash Magazine. The track was positively received and played by many industry heavyweights such as,, and Damian Lazarus. The inspiration behind the remix was to come up with a modern take of a classic song with respect to the original, with more emphasis on the bass and reinforcing McCartney's blues-inspired vocals. The record got its official release on in June 2016, followed by a remix package featuring versions from, and Tim Green.

The official video features clips of McCartney performing the original track in the 1970s, as well as two young dancers performing an intricate choreography interpreting the lyrics and theme of the song. The video was directed by -based Can Evgin and choreographer by Aaron Sillis, noted for his work with and.

In December 2016 it was announced that Maas' and Teej's remix had been nominated at the 59th in the best remix category. Influences [ ] Maas has cited early 80's music with a lot of funk, soul and disco as well as and his albums ', ' and ' as early influences on him. He has also claimed to be influenced by and be a man of old school rock such as and and new school such as. Discography [ ] Albums [ ] • (2002) – #41 • (2005) • Lifer (2013) Compilations and DJ mixes [ ] • DJ Mix Vol.2 (Perfecto CDr) • XFade Master Mix Vol. 4: Hope Recordings (1999) • (2000) • Connected – Perfecto Presents Timo Maas (2001) • Music for the Maases 2 (2003) • Don't Look Back (2005) • Born to Funk (2005) • Return of the Legend (2009) • Balance 17 (2010) Singles [ ] • 'The Final XS' (1995) • 'Die Herdplatte' (1995) • 'M.A.A.S.M.E.L.L.O.W.' • Resident Advisor.,.

Retrieved on 7 June 2015. • i:vibes. Vray For Maya 2012 64 Bit Crack on this page. , 'i:vibes'. • ^ abc., 'abc'. • ^ Potts, Diana ',, retrieved 2010-11-06 • Advisor, Resident.. Resident Advisor (in English, Japanese, and Spanish). Retrieved 2017-02-08.

• hkclubbing., 'hkclubbing'. • magneticmag., 'magneticmag'. • officialcharts., 'officialcharts'. • ukign., 'ukign'. • clatl., 'clatl'. • Metacritic., 'Metacritic'. • Charts.fm., 'Charts.fm'.

• DesignerMagazine., 'DesignerMagazine'. • popmaters., 'DesignerMagazine'. • IGN., 'IGN'.

• Broadwayworld., 'Broadwayworld'. • be-at.tv, 'Be-at.tv'. • Music-Slam., 'Music-Slam' • ^ Artistsdirect., 'Artists Direct'. • Discogs., 'Discogs' • Discogs., 'Discogs'. • ^ ResidentAdvisor., 'Resident Advisor'.

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• balance music. 'Balance music'. • Djtimes., 'Dj times'. • Clashmusic., 'Clash Music'. • Above Board Dist., 'Above Board Dist'. • Clash Music., 'Clash Music'.

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